Grind your own colours – with pigments and binders from Schmincke
Even today, many artists grind their own colour in their own studios just like the old masters using a glass muller and a slightly roughened glass plate. Moreover, sometimes it is useful to add more binder to finished paints for certain painting techniques. Schmincke offers a wide range of ready to use binders for all applications. Schmincke offers numerous possibilities for the individual production of water-colours, gouache, linoprint, acrylic, oil and tempera colours.
Simple paint making is easy. We recommend making small batches to start. Create just enough paint to be used right away. Are you seeking to store your handmade paint in tubes to use later? Then the process is a little more involved. The dry pigments must be thoroughly worked into the medium. Every pigment particle must be thoroughly coated and integrated into the binder. If not, then the dry pigment will settle out and harden in the container. Settled pigment will separate from the binder. The resulting paint may dry in a brittle or delicate film film that may crack in time. Continue reading to learn more about using a glass muller.
ATTENTION: For all artist paints you have mixed yourself, it is important to do your own pre-test with the painting technique you intend to use. We recommend keeping careful notes on each of your paint batches.
Here are the steps for making your own oil paint.
Schmincke Binding Medium of your choice
Fexible metal spatula or palette knife
Glass surface – recycled glass, even an old mirror.
Water (or solvent if you are using the Oil Binder)
Empty Paint tubes for storing paint.
The video below represents an over-simplified process but it really is this easy thanks to the new Ready-to-Use Binders from Schmincke.
Here is a recycled paint-making technique demonstrated by Shelly Banks. Watch the video to see the process of using a muller. Glass Mullers very useful for the proper process called milling the pigment. The exact ratios and length of time spent milling will depend on the pigment and your own perfectionism. In fact ratios and processes are carefully guarded by every paint manufacturers.You will see that very little medium to pigment ratio is required.
“Hi oil painters! Have you ever wondered what to do with that sludge that collects in the bottom of your container of solvent. Well it is just pigment and solvent. If you let the solvent evaporate then you can reclaim the pigment, mix it with an oil binder, and make your own paint. Artist Shelly Banks She reclaims the precious pigments that settle into the bottom of her Gamsol Solvent!”